II Samuel 13:18 · Bible study
2 Samuel 13:18 Commentary: The Robe and the Bolted Door
Hebrew · 8 what the commentators say
Meaning in one sentence
Why the narrator emphasizes Tamar's robe of many colors at her expulsion, its link to Joseph, and the significance of her tearing it (v.19).
Research Summary
- Meaning: Tamar's distinctive robe marks her royal status and virginity; its presence at her expulsion heightens the injustice, and its tearing (v.19) completes the narrative of violated identity.
- Key words: ketonet passim, a long-sleeved tunic or garment of many colors, worn by privileged individuals (Joseph, Tamar). Nā'al (bolted), a final, irreversible locking of the door.
- Main debate: Whether passim refers to “palms and soles” (long sleeves/ankle-length) or “many colors” (embroidered). Both readings point to a garment of distinction.
- Theological theme: Sin compounds sin, the rape is followed by banishment, and the community's silence locks the victim out. God's recording of her cry offers a witness that human institutions often fail to provide.
- Best use: A sermon or study on the public nature of victimization, the failure of leadership, and the biblical refusal to hide the cost of sin.
Translation Comparison
BSB Berean Standard Bible 2020
So Amnon’s attendant threw her out and bolted the door behind her. Now Tamar was wearing a robe of many colors, because this is what the king’s virgin daughters wore.
WEB World English Bible 2000
She had a garment of various colors on her, for the king’s daughters who were virgins dressed in such robes. Then his servant brought her out and bolted the door after her.
KJV King James Version 1769
And she had a garment of divers colours upon her: for with such robes were the king’s daughters that were virgins apparelled. Then his servant brought her out, and bolted the door after her.
ASV American Standard Version 1901
And she had a garment of divers colors upon her; for with such robes were the king’s daughters that were virgins apparelled. Then his servant brought her out, and bolted the door after her.
YLT Young's Literal Translation 1898
--and upon her is a long coat, for such upper robes do daughters of the king who are virgins put on, --and his servant taketh her out without, and hath bolted the door after her.
Darby Darby Bible 1890
Now she had a vest of many colours upon her; for so were the king's daughters that were virgins apparelled. And his attendant brought her out, and bolted the door after her.
Douay-Rheims Douay-Rheims Bible 1899
And she was clothed with a long robe: for the king's daughters that were virgins, used such kind of garments. Then his servant thrust her out: and shut the door after her.
Translations in other languages (10 available)
Y tenía ella sobre sí una ropa de colores, traje que las hijas vírgenes de los reyes vestían. Echóla pues fuera su criado, y cerró la puerta tras ella.
E tinha ela sobre si uma roupa de cores, traje que as filhas virgens dos reis vestiam. Lançou-a, pois, fora seu criado, e fechou a porta atrás ela.
Elle avait une tunique de plusieurs couleurs; car c’ était le vêtement que portaient les filles du roi, aussi longtemps qu’ elles étaient vierges. Le serviteur d’ Amnon la mit dehors, et ferma la porte après elle.
Und sie hatte einen bunten Rock an; denn solche Röcke trugen des Königs Töchter, welche Jungfrauen waren. Und da sie sein Diener hinausgetrieben und die Tür hinter ihr zugeschlossen hatte,
Zij nu had een veelvervigen rok aan; want alzo werden des konings dochteren, die maagden waren, met mantels gekleed; en zijn dienaar bracht haar uit tot buiten, en grendelde de deur achter haar toe.
Or ella portava una tunica con le maniche, poiché le figliuole del re portavano simili vesti finché erano vergini. Il servo di Amnon dunque la mise fuori, e le chiuse la porta dietro.
(Ale ona miała na sobie pstrą suknią; albowiem w takowych sukniach chadzały córki królewskie, panny,) i wywiódł ją precz sługa jego, i zawarł drzwi za nią.
На ней была разноцветная одежда, ибо такие верхние одежды носили царские дочери-девицы. И вывел ее слуга вон и запер за нею дверь.
那時她瑪穿著 彩 衣,因為 沒有出嫁 的公主 都是這樣 穿。暗嫩的僕人 就把她 趕 出去, 關門 上閂。
Now she had on a long robe, such as in past times the king's virgin daughters were dressed in. Then the servant put her out, locking the door after her.
Verse in Context
Original Language (Biblical Hebrew)
Old Testament · Biblical Hebrew · II Samuel 13:18
Source: STEPBible TAGNT/TEHB (CC-BY 4.0). Click or tap a morphology code to see the full parsing.
Scholars' Consensus
Commentators across traditions agree that the garment described here is a distinctive marker of Tamar's royal identity and virgin status. The Cambridge Bible for Schools and Colleges identifies it as a “long tunic with sleeves,” the same type of garment given to Joseph (Genesis 37:3). Gill's Exposition notes that this robe made Tamar “the more observable” and that such robes distinguished the king's virgin daughters from both common people and married women of equal rank. Jamieson-Fausset-Brown adds that embroidery was a mark of high status, worn exclusively by young women of royal condition. The consensus is clear: the narrator draws attention to the garment precisely because it signifies Tamar's worth and dignity. Its presence at the moment of expulsion creates a sharp, painful contrast. The servant thrusts her out, then bolts the door, not just shutting her out but locking her away from any possibility of return or remedy. The garment she wears will be torn moments later (v.19), completing the narrative of violation and loss of identity.
How settled is the interpretation?
Interpretive difficulty: Medium
Main views:
- Multi-colored garment (traditional): The same phrase in Genesis 37:3 ('coat of many colors') and the association with embroidery (Judges 5:30, Psalm 45:14). This view emphasizes visible beauty and distinction.
- Long-sleeved tunic (lexical focus): The root 'pas' (H6446) means palm or sole, so 'ketonet passim' may denote a tunic reaching to the hands and feet. This view stresses the garment as a royal robe of dignity, not just colorful decoration.
- Garment of status and vulnerability (synthetic): Combines both readings: whether colored or long-sleeved, the garment marks Tamar as a virgin daughter of the king. Its presence at the expulsion intensifies the narrative's irony and tragedy.
What is clear: The garment is a distinctive marker of Tamar's royal identity and virgin status; it is understood by all who see her, making her public shame inescapable.
What Scholars Agree and Debate
| Topic | Agreed | Debated |
|---|---|---|
| Meaning of 'garment of many colors' (ketonet passim) | All commentators recognize it as a distinctive garment worn by persons of high status, especially Joseph and the king's virgin daughters. | Some (Barnes, Cambridge, Lange) argue it is a long-sleeved tunic reaching to the palms and soles. Others (Gill, Jamieson-Fausset-Brown) emphasize that it was likely embroidered with various colors, a sign of wealth and rank. The Hebrew word 'pas' can mean both 'flat of hand/foot' and 'color'. |
| The servant's role in expulsion | The servant carried out Amnon's order (v.17) to put Tamar out and bolt the door. Commentators see this as a compound injustice. | Some (Matthew Henry) read the servant as simply obedient to a wicked master. Others (Gill) emphasize the violence of 'thrust her out', the servant actively participates in the shame. |
| David's response (v.21) | David was very angry when he heard what happened. Commentators agree this shows he knew the wrong was serious. | Why David did not punish Amnon is debated: some suggest legal constraints (Amnon was the firstborn), others see moral failure. The text does not explain his inaction. |
| The bolted door as symbol | The bolted door completes Tamar's expulsion and confirms she cannot return. It marks a definitive break. | Some (Cambridge) read it as simply narrative detail. Others (Gill) see it as intensifying the cruelty, locking her out while leaving her abuser inside. The door's symbolism is more strongly emphasized in modern readings. |
Historical & Cultural Context
In ancient Israel and the wider ancient Near East, clothing did far more than cover the body. Garments declared rank, stage of life, and social standing. The Hebrew phrase ketonet passim appears only here and in the Joseph story (Genesis 37:3, 23, 32). The word passim is tied to the palms of the hands and soles of the feet (Strong's H6446), suggesting a long-sleeved tunic that reached to the extremities, a garment of distinction rather than daily wear. Barnes' Notes describes it as “a tunic with sleeves … worn over the common tunic, in room of a robe.” Such a piece of clothing would be immediately recognized by anyone who saw Tamar in the street. The Cambridge Bible notes that the servant and passers-by would know exactly who she was. This made her shame both public and undeniable.
The act of expulsion itself carries its own brutal symbolism. In a culture where hospitality and protection within the household were paramount, being thrown out and having the door bolted after you was a statement of total rejection. Gill describes it as “thrust her out of doors, and turned the key upon her.” The same Hebrew verb nā'al (Strong's H5274, “he locked”) is used literally of locking a door; there is no hint of temporary separation. Tamar is banished. The bolted door echoes the sealed fate of a victim with no system of justice to turn to, King David's response, when he hears, is only anger (v.21), but he takes no action against Amnon. The garment, the expulsion, and the silence of the throne together paint a picture of a world where sin compounds sin and the vulnerable bear the weight.
Textual Notes
The consulted sources, including the BHS and modern critical editions, note no significant textual variants for II Samuel 13:18. The chief interpretive question is not which manuscripts to follow but how to understand the phrase ketonet passim. The Hebrew text is stable across the tradition.
Reception History
Throughout church history, this verse has been read primarily within the context of David's family tragedy and its consequences for the kingdom. Early and medieval interpreters often treated the narrative as moral instruction about the dangers of unchecked lust and favoritism. The garment has been connected to Joseph's tunic (Genesis 37) as a symbol of special privilege that becomes an occasion for suffering. In the modern era, feminist and trauma-informed readings have given Tamar a more central place, seeing the text as a witness to the experience of victims whose stories are often suppressed. The bolted door has been interpreted as a metaphor for the silencing of survivors. Across all traditions, the verse stands as a reminder that Scripture does not flinch from recording the worst of human sin and its ripple effects.
Preaching This Verse
Three-point outline
- Clothing as identity. Tamar's robe told everyone who she was: a king's daughter, a virgin, someone of value. The narrator stops the story at this cruel moment to show what she loses. Her dignity was woven into what she wore.
- The second injury. The rape itself is one wound. But the expulsion, the servant thrusting her out, the door bolted shut, is another. The perpetrator stays inside; the victim is thrown to the street. Sin never stops at one act.
- A door that stays locked. No one in power opens that door for Tamar. David is angry but does nothing. Absalom tells her to keep quiet (v.20). The story does not offer easy redemption, it demands that we see how injustice can be locked in place by the silence of those who could act.
Five-point outline
- The garment of many colors as a symbol of royal calling and purity
- The contrast between the beautiful robe and the violent expulsion
- The servant as an instrument of further harm, obeying orders to compound the wrong
- The door bolted: a picture of complete rejection and isolation
- What comes next: Tamar tears the robe (v.19), completing the outward sign of inner devastation
Illustration hooks
- A uniform stripped away. Think of someone in a position of honor, a judge's robe, a soldier's dress uniform, then being forcibly removed and thrown out in front of everyone. The same clothes that once commanded respect now become a symbol of humiliation.
- Door locked from the outside. A woman fleeing an abusive home who finds the door locked when she returns for her belongings. The lock does not protect her; it seals her out. The person who harmed her remains inside.
- When the institution stays silent. A church or workplace that knows about abuse but does nothing, the leader is angry, but no door is opened for the victim. The story of Tamar is a warning against inaction.
Questions your congregation is asking
- Why didn't David punish Amnon? He was the king and the father of both, why did he only get angry and do nothing?
- Why does the Bible record a story this painful without giving Tamar justice or a voice after this moment?
- What does this passage say about God's heart for victims, even when the human authorities fail?
Leading a Discussion
This passage follows directly after the rape of Tamar by her half-brother Amnon. The narrator slows down at verse 18 to focus on two things: the distinctive robe Tamar is wearing, and the way she is expelled. As you read this with your group, hold the weight of the moment. This is not an abstract text, it is a record of violence and public shame. Approach the questions with reverence for Tamar's story and with an ear toward the cry that the text does not suppress.
Discussion questions
- What does verse 18 tell us about Tamar's status before this moment? What does the robe communicate to the people who see her?
- Compare this robe to Joseph's tunic of many colors (Genesis 37:3, 23, 32). What similarities and differences do you see in how the garment functions in each story?
- Why do you think the narrator gives us the detail about the king's virgin daughters wearing such robes? How does that information shape your understanding of what has been taken from Tamar?
- The servant brings Tamar out and bolts the door after her. Who is left inside? Who is now outside? What does this spatial arrangement say about how the household treats Amnon versus Tamar?
- In verse 19, Tamar tears her robe of many colors. What does that action communicate that words cannot? How does the garment change from something of honor to something of grief?
- How do the responses of David (v.21) and Absalom (v.20) add to the weight of this story? What do they fail to do for Tamar?
- What does this passage teach us about how our faith communities should respond when someone has been harmed, especially when the harm comes from inside the community?
Word Study
The key original-language words in this verse. Select any word for its full lexicon entry — meaning, every occurrence in Scripture, and related words.
Cross-References
Source: Treasury of Scripture Knowledge (TSK, public domain)
| Genesis 37:3 | Now Israel loved Joseph more than all his children, because he was the son of his old age, and he made him a tunic of many colors. |
| Genesis 37:23 | When Joseph came to his brothers, they stripped Joseph of his tunic, the tunic of many colors that was on him; |
| Genesis 37:32 | They took the tunic of many colors, and they brought it to their father, and said, “We have found this. Examine it, now, and see if it is your son’s tunic or not.” |
| Judges 5:30 | ‘Have they not found, have they not divided the plunder? A lady, two ladies to every man; to Sisera a plunder of dyed garments, a plunder of dyed garments embroidered, of dyed garments embroidered on both sides, on the necks of the plunder?’ |
| Psalms 45:13 | The princess inside is all glorious. Her clothing is interwoven with gold. |
| Psalms 45:14 | She shall be led to the king in embroidered work. The virgins, her companions who follow her, shall be brought to you. |
Interlinear and lexical data from STEPBible (CC BY 4.0). Cross-reference data from OpenBible.info (CC BY 4.0). Commentaries are public domain.
For personal reflection
Read the devotional page — prayer, application, and "for families"
What the Commentators Say
7 public-domain commentaries, condensed into plain language.
Adam Clarke's Commentary Methodist/Wesleyan 1826
Clarke directs readers to his earlier note on Genesis 37:3 for an explanation of the phrase "a garment of divers colors," treating the two occurrences as parallel and requiring the same interpretation.
Barnes' Notes on the Bible Protestant 1832
Barnes suggests the traditional reading "a garment of divers colors" may instead refer to a long-sleeved tunic reaching to the hands and feet, worn over the common tunic like a robe. He prefers this interpretation for both the present passage and the earlier account.
Cambridge Bible for Schools and Colleges Anglican 1880
The Cambridge Bible notes that Tamar's garment is the same kind as Joseph's coat of many colors: a long tunic with sleeves worn as an outer garment in place of the usual mantle. Her wearing
Geneva Bible Notes Reformed 1599
The Geneva note highlights that Tamar's "garment of divers colours" marked her as a virgin daughter of the king, a recognized courtly custom. By having the servant remove that garment and lock her out, Amnon stripped away the very sign of her protected royal status and innocence.
Gill's Exposition of the Bible Baptist 1748
Gill notes that the garment of many colors was not a common cloak but a specific long-sleeved robe with fringe, worn only by virgin daughters of kings to distinguish them from other women. The servants' forceful expulsion of Tamar and the bolting of the door underscore the public shame she endured.
Jamieson-Fausset-Brown Commentary Protestant 1871
JFB observes that embroidered, multicolored garments were a mark of high rank in ancient times, worn only by royal young women. He adds that such variegated dresses are now far more common in the East because cloth manufacturing has advanced considerably.
Matthew Henry's Commentary Reformed/Presbyterian 1710
Henry focuses on Jonadab's cunning as the engine of the tragedy: a bad friend turns Amnon's already sinful lust into a calculated scheme. He notes that what Amnon called love was really a brutish passion, and that David's unsuspecting compliance made him an unwitting accomplice in his daughter's ruin.