Psalms 74:5 · Bible study
Psalms 74:5 Commentary: Axes in the Thicket
Hebrew · 10 what the commentators say
Meaning in one sentence
Explore the Hebrew imagery of Ps 74:5: destruction or contrast? Scholarship on the enemy's axes, with pastoral application for times of loss.
Research Summary
- Meaning: Ambiguous between a simile comparing enemies to woodcutters and a contrast with the former honor of temple builders.
- Key words: יִוָּדַע (it was known/visible), קַרְדֻּמּוֹת (axes), לְמָעְלָה (upward, the weapon raised high).
- Main debate: Does verse 5 compare the enemy's violence to felling a forest, or does it contrast past skill with present vandalism?
- Theological theme: The vulnerability of sacred space under attack, the scandal of God's apparent absence, and the call to remember the covenant.
- Best use: A text for lament, prayers for the persecuted church, and teaching that honest grief can coexist with trust in God.
Translation Comparison
BSB Berean Standard Bible 2020
like men wielding axes in a thicket of trees
WEB World English Bible 2000
They behaved like men wielding axes, cutting through a thicket of trees.
KJV King James Version 1769
A man was famous according as he had lifted up axes upon the thick trees.
ASV American Standard Version 1901
They seemed as men that lifted up Axes upon a thicket of trees.
YLT Young's Literal Translation 1898
He is known as one bringing in on high Against a thicket of wood--axes.
Darby Darby Bible 1890
[A man] was known as he could lift up axes in the thicket of trees;
Douay-Rheims Douay-Rheims Bible 1899
I said to the wicked: Do not act wickedly: and to the sinners: Lift not up the horn.
Translations in other languages (10 available)
Cualquiera se hacía famoso según que había levantado el hacha sobre los gruesos maderos.
Eles eram como o que levantam machados contra os troncos das árvores.
On les a vus, pareils à celui qui lève
Man sieht die Äxte obenher blinken, wie man in einen Wald haut;
Een ieder werd er bekend als een, die de bijlen omhoog aanbrengt in de dichtigheid van een geboomte.
Parevano uomini levanti in alto le scuri nel folto d’un bosco.
Za rycerza miano tego, który się z wysoka z siekierą zanosił, rąbiąc drzewo wiązania jego.
Говорю безумствующим: "не безумствуйте", и нечестивым: "не поднимайте рога,
他們好像 人揚 起 斧子,砍伐林中的 樹。
They are cutting down, like a man whose blade is lifted up against the thick trees.
Verse in Context
Original Language (Biblical Hebrew)
Old Testament · Biblical Hebrew · Psalms 74:5
Source: STEPBible TAGNT/TEHB (CC-BY 4.0). Click or tap a morphology code to see the full parsing.
Scholars' Consensus
Commentators agree that this verse describes the enemy's violent assault on the sanctuary, but they read the imagery differently. Matthew Henry and Gill see a contrast: the skill once honored in cutting Lebanon cedars for the temple (I Kings 5:6) is now turned to vandalism. Barnes calls this the 'more natural' reading, a man was famous for lifting axes in the thicket, yet now those same tools break down carved work. The Cambridge Bible and Keil & Delitzsch, however, read it as a straight simile: the enemies seem as men that lift up axes upon a thicket of trees, with no backward glance at temple building. Both sides draw on the Hebrew phrase 'as one bringing axes upward' (כְּמֵבִיא לְמָעְלָה קַרְדֻּמּוֹת), which clearly pictures the weapon raised high for a heavy blow. Whether the verse compares or contrasts, the brutality is unmistakable. The sanctuary lies under a hail of axes, and the poet forces readers to see it happen.
How settled is the interpretation?
Interpretive difficulty: High
Main views:
- Woodcutters simile: Cambridge Bible, Keil & Delitzsch; the Hebrew fits a straightforward comparison of the enemy to foresters, supported by Jeremiah 46:22-23.
- Former honor contrast: Barnes, Gill, Matthew Henry, Wesley; the opposition with 'But now' in v.6 and the historical memory of temple-building with Lebanon cedar (I Kings 5:6) point to a deliberate contrast between constructive and destructive uses of the axe.
What is clear: The enemies have violently destroyed the carved work of the sanctuary with axes, using a gesture every reader would recognize: the upraised blade of the woodcutter.
What Scholars Agree and Debate
| Topic | Agreed | Debated |
|---|---|---|
| Destruction of the sanctuary as historical event | All commentators agree the psalm describes a real destruction of the temple, involving fire, axes, and hammers. | Some (Keil & Delitzsch, Cambridge) see the Babylonian destruction (586 BC); others (Barnes, Calvin) leave it open or lean toward the period of Antiochus (168 BC). The psalm's superscription does not specify the date. |
| Meaning of verse 5: comparison or contrast? | Both sides agree the language of axes and thickets vividly portrays violence. | Barnes, Gill, Matthew Henry, and Wesley favor a contrast between the honor of temple-building and the current vandalism. Cambridge Bible and Keil & Delitzsch read it as a direct simile of destruction, with no backward reference. |
| Identity of the 'signs' (v.4) | The signs are pagan emblems set up in the sanctuary to replace Israel's religious symbols. | Keil & Delitzsch specifically identify them with the 'abomination of desolation' from 1 Maccabees; others simply view them as military insignia or trophies of conquest. |
| Composition date | The psalm cannot be from David's time; it reflects a destroyed temple. | Some (Calvin, Hengstenberg) date it to the exile; others (Delitzsch) see the Maccabean period. The superscription 'of Asaph' may indicate the style or clan, not the author. |
Historical & Cultural Context
Psalms 74 opens with a raw question: 'God, why have you rejected us forever?' (v.1). The scene is the temple in ruins, the sanctuary burned, the carved work smashed (v.6-7). Most scholars date the psalm to the Babylonian destruction of 586 BC, though a few see the desecration under Antiochus Epiphanes in the 2nd century (Keil & Delitzsch cite 1 Maccabees 1:45-49 for the 'abomination of desolation').
Verse 5 falls between the description of enemy standards set up in the holy place (v.4) and the detailed report of axes and hammers breaking down carved work (v.6). The temple's interior was decorated with 'palm trees and open flowers' (1 Kings 6:29), so the enemy's axes seemed to attack a forest of stone and wood. The Hebrew word for 'thicket' (סְבַךְ) is used elsewhere for tangled growth, a dense, living thing. Woodcutters lifting axes high were a common sight in the forests of Lebanon, where Solomon had obtained timber for the temple (I Kings 5:6). Jeremiah 46:22-23 uses the same picture: armies come 'with axes, as wood cutters' to fell a forest 'though it can't be searched.'
Two historical interpretations of v.5 arise from this background. The first reads the verse as a simile: the enemy is as ruthless as any woodsman felling a forest. The second hears a bitter irony: the very skills once praised for building God's house are now used to destroy it. Both readings agree that the temple's beauty, the labor of faithful hands, has been hacked apart.
Textual Notes
The supplied commentaries note no significant textual variants for verse 5. The Hebrew text is stable, though the phrase is syntactically compressed: 'it was known as one bringing upward axes into a thicket of trees.' Some ancient versions, such as the Greek Septuagint and Latin Vulgate, read very differently ('The signs pointing to the entrance above that they did not know,' according to Barnes), but this appears to reflect free interpretation rather than a different Hebrew base. The Masoretic text as we have it is the basis for all modern translations.
Reception History
Christian readers have long used this verse in prayers for the persecuted church. The image of axes raised against sacred beauty resonates wherever believers see their places of worship destroyed. Matthew Henry drew from the psalm the lesson that times of great distress should drive God's people to prayer, not despair. The contrast reading, former honor turned to vandalism, was especially prominent among Protestant reformers, who saw in it a type of how sin marred the good gifts God gave. Puritan writers used the verse to comfort congregations whose meeting houses had been damaged or confiscated. More broadly, the psalm's movement from raw lament to trust in God's eternal kingship (v.12) has shaped Christian liturgy for times of national or ecclesiastical disaster.
Preaching This Verse
Three-point outline
- The Vividness of Violence. Verse 5 forces us to see the raised axes. Whether a simile or a contrast, the image is visceral. The enemy does not quietly dismantle, he swings. This is not abstract theology; it is the memory of shattering blows.
- The Loss of Sacred Space. Even the temple's carved work, a place of beauty and worship, is not spared (v.6). The attack on God's house is an attack on the community's identity. When the place where God promised to dwell is ruined, faith itself seems to tremble.
- The Cry for God to Remember. The psalm begins and ends with an appeal: 'Lift up your feet to the perpetual ruins' (v.3), 'Have respect to the covenant' (v.20). The destruction is not the last word. Lament opens the door to hope.
Five-point outline
- Honor turned to scorn, the skill that once built now destroys.
- The enemy's arrogance, they lift axes as if the sanctuary were only a forest.
- The community's grief, no signs, no prophet, no one knows how long (v.9).
- God's apparent absence, 'Why do you withdraw your hand?' (v.11).
- The turn to praise, God is still King, 'working salvation in the midst of the earth' (v.12).
Illustration hooks
- A congregation watches their historic building burn down, the stones that held a century of prayer reduced to rubble.
- A master carpenter is forced by a developer to demolish an old-growth forest; her skill becomes a tool of loss.
- Church art and stained glass smashed by vandals, the beauty that taught the gospel lies in shards on the floor.
Questions your congregation is asking
- Why would God allow His own house to be destroyed?
- How can we lament honestly without losing faith?
- What do we do when the place where we meet God is gone?
Leading a Discussion
This verse sits in the middle of a raw lament. The sanctuary lies in ruins, and the poet describes the enemy's axes as if they were cutting down a forest. But the Hebrew leaves room for another reading: the memory of skillful hands that once lifted axes to build that same sanctuary. The tension between building and destroying runs through the whole psalm. In your group, let the image of the raised axe open a conversation about loss and the God who seems far away.
Discussion questions
- Read Psalm 74:1-8 aloud. What words or images stand out to you in the description of the enemy's attack?
- In verse 5, two readings are possible. Which one strikes you more, the enemy as woodcutters, or the contrast with former builders? Why?
- How does the detailed description of destruction (axes, hammers, fire) affect your understanding of the psalmist's grief?
- Lament often asks hard questions of God (v.1,11). Is it okay to pray that way? What would you say to someone who feels angry at God about a loss?
- The psalm turns to praise in verse 12: 'God is my King of old, working salvation in the midst of the earth.' How does remembering God's past acts help in a crisis?
- Where have you seen something beautiful, a place, a relationship, a church, destroyed by violent forces? How did your faith survive that?
- What would it look like for your group to pray a lament like this over a current brokenness in your community?
Word Study
The key original-language words in this verse. Select any word for its full lexicon entry — meaning, every occurrence in Scripture, and related words.
Cross-References
Source: Treasury of Scripture Knowledge (TSK, public domain)
| I Kings 5:6 | Now therefore command that cedar trees be cut for me out of Lebanon. My servants will be with your servants; and I will give you wages for your servants according to all that you say. For you know that there is nobody among us who knows how to cut timber like the Sidonians.” |
| II Chronicles 2:14 | the son of a woman of the daughters of Dan; and his father was a man of Tyre. He is skillful to work in gold, in silver, in bronze, in iron, in stone, in timber, in purple, in blue, in fine linen, and in crimson, also to engrave any kind of engraving and to devise any device, that there may be a place appointed to him with your skillful men, and with the skillful men of my lord David your father. |
| Jeremiah 46:22 | Its sound will go like the serpent, for they will march with an army, and come against her with axes, as wood cutters. |
| Jeremiah 46:23 | They will cut down her forest,” says Yahweh, “though it can’t be searched; because they are more than the locusts, and are innumerable. |
Interlinear and lexical data from STEPBible (CC BY 4.0). Cross-reference data from OpenBible.info (CC BY 4.0). Commentaries are public domain.
For personal reflection
Read the devotional page — prayer, application, and "for families"
What the Commentators Say
9 public-domain commentaries, condensed into plain language.
Barnes' Notes on the Bible Protestant 1832
Barnes notes two main ways to read this verse. The more natural and common view contrasts past fame from skillfully felling trees with a new kind of fame from demolishing the sanctuary. A second reading, which he finds less likely, says the ruthless enemy simply treats the sanctuary no more gently than a woodcutter treats the forest.
Calvin's Commentaries Reformed 1564
Calvin argues that the psalm's description of the Church's ruin is too severe for David's time, so it was likely written later by another author. He sees the inscription "maskil" as fitting because the psalm compels self-examination and humility before God over the people's sins.
Cambridge Bible for Schools and Colleges Anglican 1880
The commentary highlights how the Hebrew verbs paint the destruction as if happening before the reader’s eyes. The enemy is compared to woodcutters felling a forest, a simile likely suggested by the carved palm trees and flowers on the Temple walls.
Geneva Bible Notes Reformed 1599
The Geneva note observes that even the person who lifted the axe against the thick trees was celebrated as a master of his craft. The point is that skilled workmanship, even in a common task, earns genuine honor and recognition.
Gill's Exposition of the Bible Baptist 1748
Gill notes that two very different scenes can be read into this verse. The first is the enemy's visible destruction, as obvious as a woodcutter raising his axe. But he leans toward the older, positive reading: in ancient times, cutting timber for the temple was a famous, honorable task, as if offering a sacrifice to God.
Jamieson-Fausset-Brown Commentary Protestant 1871
JFB acknowledges the obscurity of some terms but draws out the clear sense: the invaders tore down the temple's ornaments with the ferocity of woodcutters. He also notes that the word rendered "famous" literally means "was known," highlighting a translational nuance.
Keil & Delitzsch OT Commentary Protestant 1876
Keil-Delitzsch argues that the enemy's "signs" in the temple were not military banners but pagan religious symbols forcibly replacing Israel's own, like the abomination of desolation. They also see "moadei-El" as synagogues, not festivals, making the destruction of local prayer houses a key point supporting the psalm's Maccabean origin.
Matthew Henry's Commentary Reformed/Presbyterian 1710
Henry's emphasis is that the psalmist looks past the human enemies and fastens on God's displeasure as the true source and sting of every calamity. The complaint is not merely about suffering but about God's apparent rejection, which drives the people to pray directly to Him rather than to fret about their circumstances.
Wesley's Explanatory Notes Methodist/Wesleyan 1754
Wesley emphasizes that the temple was so magnificent that even the lowliest task, such as cutting timber in Lebanon, brought a person great honor. The dignity of the work came entirely from the splendor of the project itself, not from the prominence of the worker's role.