Psalms 73:6 · Bible study
Psalms 73:6 Commentary: Pride as Chain, Violence as Garment
Hebrew · 9 what the commentators say
Meaning in one sentence
Does the chain around the neck show off the wicked's pride or enslave them? Explore the metaphor and its meaning for faith today.
Research Summary
- Meaning: Pride and violence are publicly displayed by the wicked, either as an ornament of status or as chains of bondage.
- Key words: gaavah (pride, haughtiness), anaq (to ornament, necklace), chamas (violence, injustice), shit (garment).
- Main debate: Is the chain an adornment the wicked wear proudly (Barnes, Clarke) or a yoke of enslavement (Gill)? Both readings appear in the tradition.
- Theological theme: The visible nature of sin, arrogance and oppression are not hidden but openly define the ungodly.
- Best use: Teaching on the problem of evil, the danger of envy, and the call to see beyond surface prosperity.
Translation Comparison
BSB Berean Standard Bible 2020
Therefore pride is their necklace; a garment of violence covers them.
WEB World English Bible 2000
Therefore pride is like a chain around their neck. Violence covers them like a garment.
KJV King James Version 1769
Therefore pride compasseth them about as a chain; violence covereth them as a garment.
ASV American Standard Version 1901
Therefore pride is as a chain about their neck; Violence covereth them as a garment.
YLT Young's Literal Translation 1898
Therefore hath pride encircled them, Violence covereth them as a dress.
Darby Darby Bible 1890
Therefore pride encompasseth them as a neck-chain, violence covereth them [as] a garment;
Douay-Rheims Douay-Rheims Bible 1899
They have cut down at once the gates thereof, with axe and hatchet they have brought it down.
Translations in other languages (10 available)
Por tanto soberbia los corona: cúbrense de vestido de violencia.
Por isso eles são rodeados de arrogância como um colar; estão cobertos de violência como se fosse um vestido.
Aussi l’ orgueil leur sert de collier,
Darum muß ihr Trotzen köstlich Ding sein, und ihr Frevel muß wohl getan heißen.
Daarom omringt hen de hovaardij als een keten; het geweld bedekt hen als een gewaad.
Perciò la superbia li cinge a guisa di collana, la violenza li cuopre a guisa di vestito.
Przetoż otoczeni są pychą, jako łańcuchem złotym, a przyodziani okrutnością, jako szatą ozdobną.
и ныне все резьбы в нем в один раз разрушили секирами и бердышами;
所以,驕傲 如鏈子戴在他們的項上;強暴 像衣裳 遮住 他們的身體。
For this reason pride is round them like a chain; they are clothed with violent behaviour as with a robe.
Verse in Context
Original Language (Biblical Hebrew)
Old Testament · Biblical Hebrew · Psalms 73:6
Source: STEPBible TAGNT/TEHB (CC-BY 4.0). Click or tap a morphology code to see the full parsing.
Scholars' Consensus
Commentators agree that verse 6 continues the psalmist’s description of the arrogant wicked, whose prosperity has made them proud and oppressive. The chain around the neck is a metaphor for pride displayed openly. Adam Clarke sees an allusion to the chains of gold that were badges of magistracy, the wicked wear their pride as a sign of status. Barnes adds that the single verb compasseth about as a chain literally means “to adorn with a necklace,” suggesting they wear pride as an ornament on a haughty neck. The Cambridge Bible notes that chains were worn by men and women in the East for ornament and as badges of office, citing Genesis 41:42 and Daniel 5:7. Gill, however, shifts the emphasis: he says pride binds them as a chain, making them slaves to it, and they fancy it an ornament, but it is really a fetter. On violence as a garment, all agree it covers them, Barnes says cruelty is their very clothing, visible in their whole demeanor. So while commentators differ on whether the chain is an ornament or a bond, they converge on the point that pride and violence are publicly worn and unmistakably define the wicked.
How settled is the interpretation?
Interpretive difficulty: Low
What is clear: The verse condemns the arrogant and violent behavior of the wicked, and their sin is publicly displayed for all to see.
What Scholars Agree and Debate
| Topic | Agreed | Debated |
|---|---|---|
| The chain: ornament or bondage? | The chain is a metaphor for pride that is publicly worn and visible. | Some commentators (Barnes, Clarke, Cambridge) emphasize the chain as an ornament of status, pointing to ancient customs of wearing necklaces as badges of office. Others (Gill) stress that pride binds the wicked as slaves; the chain is a fetter they mistake for jewelry. |
| Violence as a garment: covering or revealing? | Violence is compared to a garment that fully covers the person, showing it is a defining characteristic. | Is the garment simply a covering that conceals the inner person, or does it reveal openly that the person is violent? Barnes says it is ‘manifest in their whole gait and demeanor’; the image works both ways. |
| The connection to surrounding verses | Verse 6 follows logically from vv. 4, 5: because they prosper without pain, they become proud and violent. | Some see a cause-effect chain: prosperity leads to pride (as in Deut 8:14). Others argue the psalmist is describing the character of the wicked, not explaining its origin. |
Historical & Cultural Context
Psalm 73 is a wisdom psalm by Asaph, deeply wrestling with why the wicked prosper while the righteous suffer. In verses 3, 12, the poet envies the arrogant because they seem free from trouble, healthy, and wealthy. Verse 6 draws on ancient Near Eastern imagery to show how that prosperity expresses itself.
In the ancient world, chains around the neck were common ornaments. Pharaoh placed a gold chain on Joseph (Genesis 41:42), and the kings of Midian wore chains on their camels (Judges 8:26). Such chains were not just decoration; they signaled rank, authority, and wealth. A chain around the neck could mark a person as a royal official or a judge. So when the psalmist says pride is like a chain, he pictures the wicked flaunting their status. But chains can also bind. In Israelite poetry, the neck is a place of dignity but also of submission, the yoke of slavery is on the neck (Deuteronomy 28:48). So the image works on two levels: what looks like an ornament of success is also a bond of sin.
Violence as a garment is an equally vivid metaphor. Clothing covers a person and becomes part of their identity. When the Bible speaks of putting on righteousness or salvation (Isaiah 59:17, 61:10), it means those qualities envelop and define a person. Here, oppression (chamas, injustice, cruelty) is the fabric they wrap themselves in. They do not hide their violence; they display it. Their treatment of the poor and weak is as plain as the clothes on their back. The people they oppress see it, and, as verse 10 notes, even their followers drink up the abundance gained by exploitation.
This cultural background helps us see what troubled Asaph: the wicked were not quietly sinning. They wore their pride and cruelty like a uniform, yet God seemed to do nothing. The psalm is honest about the scandal of such open evil, and it only finds resolution when Asaph goes into the sanctuary and sees their end (verses 17, 20).
Textual Notes
The supplied sources note no significant textual variants for Psalm 73:6. The Hebrew text is stable across manuscripts. The Septuagint (LXX) reads similarly: “Therefore pride held them like a necklace; injustice covered them like a garment.” No emendations are required to understand the verse.
Reception History
Psalm 73:6 has been cited throughout church history to illustrate the open sinfulness of the ungodly and the temptation it poses to believers. Early Christian writers like Augustine used the psalm to wrestle with the problem of theodicy, though specific comments on verse 6 are rare in patristic sources. Medieval commentators often read the chain and garment as symbols of the devil’s hold on the proud. Reformation-era interpreters such as Calvin and Matthew Henry focused on the psalm’s honest struggle with envy; Henry called the verse a picture of “unsanctified prosperity.” In later evangelical and Wesleyan traditions, Adam Clarke and Gill used the verse to warn against the seduction of wealth and the danger of pride. The verse also appears in lectionary readings for Proper 22 (Year C) in some liturgical calendars, as part of a broader reflection on wealth and justice.
Preaching This Verse
Three-point outline
- The ornament of pride. The wicked wear their arrogance like a chain, a badge of honor in their eyes. They boast in their position and possessions. Application: Pride can masquerade as confidence, but it reveals a heart that does not depend on God.
- The garment of violence. Oppression covers them like clothing; it is the context in which they live and act. They make no attempt to hide their injustice. Application: Sin often becomes a second nature that we no longer notice, but it is visible to others.
- The view from the sanctuary. Asaph’s perspective shifts when he stops looking at the outside and enters God’s presence. The chain and garment that seem glorious now are revealed as symbols of a coming fall (vv. 18, 20).
Five-point outline
- Envy of the wicked (vv. 2, 3): The poet’s feet almost slipped because he looked at their prosperity.
- Their health and wealth (vv. 4, 5): They seem free from human troubles, strong in body.
- Their visible pride and oppression (v. 6): Chain and garment, sin on display.
- The arrogance that follows (vv. 7, 9): They speak against heaven, their tongues roam the earth as if they have no limits.
- The dangerous influence (vv. 10, 12): Others follow them, and the wicked deny God’s knowledge.
Illustration hooks
- Think of someone who constantly posts about their achievements, dropping names and brands, as if success is their crowning jewelry. Others admire it, but underneath is a life built on cutting corners and stepping on people.
- A bully on a playground or in a workplace who always gets away with it. They wear their cruelty like a jacket; everyone sees it, but no one stops them. The psalmist feels the same frustration.
- A company that boasts record profits while employees struggle. The “gold chain” of executive bonuses is visible, while the “garment of violence” is the unpaid overtime and unsafe conditions.
Questions your congregation is asking
- Why do people who cheat and bully seem to get ahead while I try to do right and keep struggling?
- Does God see the injustice that is so visible? Why doesn’t He act now?
- How can I keep my own heart from envying the “success” of those who flaunt pride and violence?
Leading a Discussion
This verse comes from a psalm that gives language to one of faith’s hardest questions: Why do the wicked prosper while the righteous suffer? The poet does not pretend to have an easy answer. Instead, he describes exactly what he saw and felt. This small-group guide helps you walk through the verse and its context together.
Discussion questions
- Observation: What two comparisons does the poet make in verse 6? Describe the images: a chain around the neck and a garment covering someone.
- Observation: Read verses 3, 5. What has led the poet to say “therefore” in verse 6? What kind of prosperity are the wicked enjoying?
- Interpretation: Adam Clarke and Barnes both say the chain refers to an ornament of office. Gill says it is a chain of bondage. Which reading fits better with the surrounding context? Can both be true?
- Interpretation: Violence is compared to a garment. In what ways does oppression become the “clothing” of someone’s daily life? What does it mean for sin to be that visible?
- Application: The psalmist was tempted to envy these people. Have you ever been tempted to admire someone who succeeded through pride or injustice? How did you handle it?
- Application: Where do you see pride and violence “worn openly” in your community or in the wider world? How does that challenge your trust in God’s goodness?
- Response: The psalm does not give a quick solution, but it points to entering God’s sanctuary to gain perspective (v. 17). What practices help you see beyond outward appearances to God’s ultimate view?
Word Study
The key original-language words in this verse. Select any word for its full lexicon entry — meaning, every occurrence in Scripture, and related words.
Cross-References
Source: Treasury of Scripture Knowledge (TSK, public domain)
| Genesis 41:42 | Pharaoh took off his signet ring from his hand, and put it on Joseph’s hand, and arrayed him in robes of fine linen, and put a gold chain about his neck. |
| Deuteronomy 8:13 | and when your herds and your flocks multiply, and your silver and your gold is multiplied, and all that you have is multiplied; |
| Deuteronomy 8:14 | then your heart might be lifted up, and you forget Yahweh your God, who brought you out of the land of Egypt, out of the house of bondage; |
| Deuteronomy 32:15 | But Jeshurun grew fat, and kicked. You have grown fat. You have grown thick. You have become sleek. Then he abandoned God who made him, and rejected the Rock of his salvation. |
| Judges 8:26 | The weight of the golden earrings that he requested was one thousand and seven hundred shekels of gold, in addition to the crescents, and the pendants, and the purple clothing that was on the kings of Midian, and in addition to the chains that were about their camels’ necks. |
| Esther 3:1 | After these things King Ahasuerus promoted Haman the son of Hammedatha the Agagite, and advanced him, and set his seat above all the princes who were with him. |
| Esther 3:5 | When Haman saw that Mordecai didn’t bow down nor pay him homage, Haman was full of wrath. |
| Esther 3:6 | But he scorned the thought of laying hands on Mordecai alone, for they had made known to him Mordecai’s people. Therefore Haman sought to destroy all the Jews who were throughout the whole kingdom of Ahasuerus, even Mordecai’s people. |
Interlinear and lexical data from STEPBible (CC BY 4.0). Cross-reference data from OpenBible.info (CC BY 4.0). Commentaries are public domain.
For personal reflection
Read the devotional page — prayer, application, and "for families"
What the Commentators Say
7 public-domain commentaries, condensed into plain language.
Adam Clarke's Commentary Methodist/Wesleyan 1826
Clarke suggests the chain in this verse alludes to the gold chains worn by magistrates as signs of authority. These leaders, instead of using their power for justice, were completely wrapped in violence and oppression. The Chaldee paraphrase even calls it a crown made from the plunder of the poor.
Barnes' Notes on the Bible Protestant 1832
Barnes highlights the visible, ornamental quality of pride: it surrounds the wicked like a necklace or collar, worn openly and conspicuously. Their haughty demeanor and even their clothing broadcast arrogance. Violence and cruelty become the very garment they wear, evident in all their conduct.
Calvin's Commentaries Reformed 1564
Calvin emphasizes that the psalmist nearly abandoned faith by judging only from present circumstances. The remedy is patience: we must let God's providence work in the hidden way He has determined, trusting that in the end the righteous will not lose their reward and the wicked will not escape judgment.
Cambridge Bible for Schools and Colleges Anglican 1880
The prosperity of the wicked frees them from the common misery shared by humanity, and this exemption fuels their pride and violence. The metaphors of chains and garments picture their pride and brutality as visible ornaments or official badges, not burdens.
Geneva Bible Notes Reformed 1599
The Geneva note draws a vivid double image: pride hangs around the wicked like an ornamental chain they wear with pleasure, and cruelty wraps them like a garment they never remove. Both their inner disposition and outward conduct are openly displayed as badges of their ungodly character.
Gill's Exposition of the Bible Baptist 1748
Gill observes that pride binds the wicked like a chain they actually wear proudly as an ornament. He contrasts this with the meek spirit God values. Violence then openly covers them like a garment, often gained through oppression, so their very clothing displays their sin.
Keil & Delitzsch OT Commentary Protestant 1876
Keil-Delitzsch argues the original Hebrew for "no pangs until their death" is textually suspect and misplaced, as discussing a painless death interrupts the description of the wicked's prosperity. Their proposed emendation—that the wicked have no pangs at all, with vigorous bodies—better fits the context. They also note the intentionally gloomy style matches the theme.