Psalms 22:7 · Bible study
Psalms 22:7 Commentary: Mockery of the Righteous Sufferer
Hebrew · 11 what the commentators say
Meaning in one sentence
Explore how this verse describes David's humiliation and prophetically foretells the mockery of Christ on the cross.
Research Summary
- Meaning: The sufferer is publicly mocked with specific gestures of contempt, open mouth, shaking head, and these actions prefigure the treatment of Christ at his crucifixion.
- Key words: “Mock” (Hebrew la‛ag, to deride), “shoot out the lip” (pāṭar, to open wide), “shake the head” (a gesture of scorn also in Job 16:4, Psalm 109:25).
- Main debate: Whether the verse primarily describes David’s personal experience and secondarily points to Christ, or whether it is a direct prophecy of Christ’s passion. Most commentators affirm both layers.
- Theological theme: The righteous sufferer bears shame as part of his identification with God’s purposes; humiliation becomes the path to vindication.
- Best use: Teaching the unity of Scripture, how the Old Testament laments find their ultimate answer in Jesus, and how public mockery does not have the final word.
Translation Comparison
BSB Berean Standard Bible 2020
All who see me mock me; they sneer and shake their heads:
WEB World English Bible 2000
All those who see me mock me. They insult me with their lips. They shake their heads, saying,
KJV King James Version 1769
All they that see me laugh me to scorn: they shoot out the lip, they shake the head, saying,
ASV American Standard Version 1901
All they that see me laugh me to scorn: They shoot out the lip, they shake the head, saying,
YLT Young's Literal Translation 1898
All beholding me do mock at me, They make free with the lip--shake the head,
Darby Darby Bible 1890
All they that see me laugh me to scorn; they shoot out the lip, they shake the head, [saying:]
Translations in other languages (9 available)
Todos los que me ven, escarnecen de mí; estiran los labios, menean la cabeza, diciendo:
Todos os que me veem zombam de mim; abrem os lábios e sacodem a cabeça, dizendo :
Et moi, je suis un ver et non un homme,
Alle, die mich sehen, spotten mein, sperren das Maul auf und schütteln den Kopf:
Maar ik ben een worm en geen man, een smaad van mensen, en veracht van het volk.
Chiunque mi vede si fa beffe di me; allunga il labbro, scuote il capo, dicendo:
Alem ja robak, a nie człowiek: pośmiewisko ludzkie, i wzgarda pospólstwa.
凡 看見我的 都嗤笑 我;他們撇 嘴 搖 頭,說:
I am laughed at by all those who see me: pushing out their lips and shaking their heads they say,
Verse in Context
Scholars' Consensus
Commentators broadly agree that Psalm 22:7 depicts intense public scorn, and that this mockery finds its ultimate fulfillment in Christ's crucifixion. Adam Clarke notes that both David (during Absalom's rebellion) and Christ literally received these insults. Barnes points out that the Hebrew verb la‛ag means to deride or mock, not necessarily to laugh, and that Matthew 27:39 records the same gestures, shaking the head, shooting out the lip, used against Jesus. Calvin sees David as a type of Christ, the prophet speaking beyond his own experience to the suffering Messiah. The Cambridge Bible adds that the Septuagint translation uses the word exemuktērisan, which Luke applies to the rulers scoffing at Jesus (Luke 23:35). There is no serious disagreement that the verse is messianic in its fullest sense; even those who emphasize David's original setting (Clarke, Matthew Henry) affirm the NT application.
How settled is the interpretation?
Interpretive difficulty: Medium
Main views:
- Direct messianic prophecy: The NT uses this verse as a direct prediction of Christ; the details (gestures, mockers' words) match the crucifixion narrative exactly.
- Typological or dual fulfillment: David's experience of public humiliation in the Absalom rebellion is the type, and Christ is the antitype who fulfills it more fully.
- Primarily Davidic, secondarily applicable to Christ: The psalm reflects David's own laments, and the NT writers find analogies in Jesus' suffering without claiming explicit prediction.
What is clear: The verse describes a person being publicly mocked with specific physical gestures, and this scene is unmistakably paralleled in the Gospel accounts of the crucifixion.
What Scholars Agree and Debate
| Topic | Agreed | Debated |
|---|---|---|
| Davidic authorship and original setting | The psalm is attributed to David and likely reflects a period of intense persecution, possibly the Absalom rebellion. | Some commentators (Barnes) find no single event in David's life that matches all details, while others (Clarke) see clear parallels with Shimei's cursing. The psalm may draw on multiple experiences. |
| Messianic interpretation | All traditions affirm the verse is quoted or alluded to in the NT regarding Christ's crucifixion (Matthew 27:39). | Reformed interpreters (Calvin, Geneva Bible) see David as a type of Christ, with the psalm prophetic throughout. Others (some modern scholars) view the NT use as typological or applicational, not predictive. The early church and most historic Protestant, Catholic, and Orthodox readings maintain direct prophecy. |
| Meaning of the gestures | The gestures, opening the mouth, shaking the head, are universally understood as signs of contempt and derision. | There is minor debate over whether “shoot out the lip” refers to gaping the mouth (Barnes, Gill) or to a specific mocking noise. The Hebrew pāṭar suggests a bursting open, not necessarily sticking out the tongue. |
Historical & Cultural Context
In ancient Israel, public gestures of mockery carried deep shame. To shoot out the lip (Hebrew pāṭar, to split or open wide) meant gaping with the mouth in derision, a gesture seen also in Job 16:10 and Psalm 35:21. Shaking the head was a sign of contempt or feigned abhorrence (Psalm 109:25; Lamentations 2:15), often accompanied by verbal taunts. Such actions were not casual; they aimed to dishonor the person publicly, cutting them off from the community's respect.
The psalm's superscription, “Aijeleth Shahar” (hind of the morning), has puzzled interpreters. Calvin dismisses efforts to find a “sublime mystery,” noting some connect it to the morning star (Christ) or to strength. But the image of a hunted hind fits David's plight and prefigures Christ, who is compared to a swift hind in Song of Solomon. The historical setting likely lies in David's flight from Absalom, when Shimei cursed and threw stones (2 Samuel 16), though no single event completely matches the psalm's detail. The language of the entire psalm, being surrounded by “dogs” and “bulls,” pierced hands and feet, casting lots for clothing, points beyond David to a suffering that only the crucifixion fully satisfies.
Textual Notes
The consulted sources note no significant textual variants for Psalm 22:7. The Hebrew text is stable, and the verse is consistently rendered across ancient witnesses (including the Septuagint and the Syriac). The NT quotation in Matthew 27:39 follows the Septuagint's wording closely.
Reception History
From the earliest Christian centuries, Psalm 22:7 has been read as a passion prophecy. The Gospel of Matthew directly links “they shake their heads” to the passersby at Golgotha (Matthew 27:39). Patristic writers like Justin Martyr and Tertullian used this verse to argue that Christ’s sufferings were foretold in Scripture. During the Reformation, both Catholic and Protestant interpreters maintained the messianic reading: the Geneva Bible’s marginal notes apply it to Christ; Matthew Henry sees it as a source of comfort for believers facing derision. In Jewish tradition, the psalm was associated with Esther’s rescue or general deliverance, though some rabbinic sources also connected it to the suffering of the righteous. The verse continues to be central in Holy Week liturgies across many traditions, read on Good Friday as the church remembers the scorn endured by Jesus.
Preaching This Verse
Three-point outline
- Public scorn as the deepest wound, The mockers use every part of the body: their lips, their heads, their gaze. Shame attacks not just reputation but identity (v. 6: “a worm, and no man”).
- The mockery that echoes in Scripture, From David’s flight to Christ’s cross, the same gestures and words appear (Matthew 27:39, 43). God’s people have always faced derision for trusting Him.
- The hope beyond the scorn, The psalm does not end in mockery; it moves toward deliverance and praise (vv. 22, 31). The one mocked becomes the one who proclaims God’s name to the congregation.
Five-point outline
- Extreme humiliation described through three gestures.
- Verbal taunts that attack trust in God (v. 8).
- The sufferer’s honest cry to the God who seems absent.
- Fulfillment in Christ: every gesture reappears at the cross.
- From shame to vindication: the resurrection turns the mockery on its head.
Illustration hooks
- Bullies in the schoolyard: A child is ridiculed for a stutter, and every gesture, the imitation, the head shake, the whispered taunt, makes the pain worse. The psalm gives words to that isolating shame, but also shows that God hears.
- Public failure in a small town: A person loses their job or marriage, and suddenly neighbors look away, whisper, or shake their heads. The social death described here mirrors what many still experience.
Questions your congregation is asking
- “How can a good God allow me to be mocked for my faith?”
- “Is it okay to feel abandoned when people turn against me?”
- “Does this psalm mean Jesus felt that same isolation?”
Leading a Discussion
Psalm 22:7 places us at the raw intersection of human cruelty and divine purpose. As you read the verse aloud, notice the precise actions: mock, insult with lips, shake the head. These are not accidental; they are calculated to destroy a person's standing. Yet this very verse became gospel for the early church, a lens through which they understood the cross. Your group is invited to sit with the tension between David's experience and Christ's, and to ask how Scripture speaks into our own moments of public shame.
Discussion questions
- What stands out to you about the three gestures described in this verse? Why do you think the psalmist records them in such detail?
- How do the cross-references (Job 16:10, Psalm 35:21, Matthew 27:39) shape your understanding of this mockery as more than just personal insult?
- David wrote this psalm centuries before Christ. What does it mean for you that the New Testament writers saw Jesus in these words?
- When have you felt the sting of being mocked or publicly humiliated? How did you respond, and where did you sense God in that moment?
- The verse ends with “saying,” and then the mockers speak in verse 8: “He trusted in Yahweh; let him deliver him.” Why do you think the taunt targets trust in God?
- Some Christians today face persecution that includes public ridicule. How might this passage encourage them, and how might it challenge those of us who do not face such hostility?
- How does the rest of Psalm 22 (especially verses 22, 31) reframe the experience of shame? What hope does the whole psalm offer to someone who feels like a “worm” or a “reproach”?
Cross-References
Source: Treasury of Scripture Knowledge (TSK, public domain)
| Job 16:4 | I also could speak as you do. If your soul were in my soul’s place, I could join words together against you, and shake my head at you, |
| Job 16:10 | They have gaped on me with their mouth. They have struck me on the cheek reproachfully. They gather themselves together against me. |
| Job 30:9 | “Now I have become their song. Yes, I am a byword to them. |
| Job 30:11 | For he has untied his cord, and afflicted me; and they have thrown off restraint before me. |
| Psalms 31:18 | Let the lying lips be mute, which speak against the righteous insolently, with pride and contempt. |
| Psalms 35:15 | But in my adversity, they rejoiced, and gathered themselves together. The attackers gathered themselves together against me, and I didn’t know it. They tore at me, and didn’t cease. |
| Psalms 35:16 | Like the profane mockers in feasts, they gnashed their teeth at me. |
| Psalms 44:14 | You make us a byword among the nations, a shaking of the head among the peoples. |
Cross-reference data from OpenBible.info (CC BY 4.0). Commentaries are public domain.
For personal reflection
Read the devotional page — prayer, application, and "for families"
What the Commentators Say
8 public-domain commentaries, condensed into plain language.
Barnes' Notes on the Bible Protestant 1832
Barnes clarifies that the Hebrew word behind "laugh me to scorn" means mockery and derision, not literal laughter. He also notes that while this description fits Christ's crucifixion perfectly, there is no evidence it ever literally happened to David.
Calvin's Commentaries Reformed 1564
Calvin reads this psalm as David's personal complaint that serves as a prophetic type of Christ, showing the pattern of abasement before exaltation. He is notably dismissive of elaborate mystical interpretations of the title "hind of the morning," insisting interpreters have needlessly sought hidden meaning in a minor detail.
Geneva Bible Notes Reformed 1599
All they that see me, haue me in derision: they make a mowe and nod the head, saying,
Gill's Exposition of the Bible Baptist 1748
Gill identifies the scorn described in this verse as the actual mocking of Christ by the soldiers and Jews at his crucifixion, naming specific exceptions like John and Mary. He explains the Hebrew idioms behind the gestures: opening the lip to make faces and shaking the head in derision.
Jamieson-Fausset-Brown Commentary Protestant 1871
JFB observes that the gestures and taunts used against Jesus on the cross exactly match this psalm. The Jews not only shook their heads but also "shot out" or opened the lip in scorn, and their reproachful words closely followed the psalmist's own language, showing prophetic fulfillment.
Lange's Commentary Reformed 1857
Lange argues that David wrote this Psalm not merely about his own suffering but as a type speaking prophetically of the Messiah. David, inspired as a prophet, saw himself as a foreshadowing of Christ, so the words find their fullest meaning in Jesus while remaining grounded in David’s own experience. This avoids both a purely historical and a purely direct Messianic reading.
Matthew Henry's Commentary Reformed/Presbyterian 1710
Henry notes the title "Aijeleth Shahar" (hind of the morning) and explains that some interpreters see it pointing to Christ, marked from eternity to be pursued like a swift hind. He acknowledges that others take it simply as the tune name.
Wesley's Explanatory Notes Methodist/Wesleyan 1754
Wesley notes that the phrase “shoot out” refers to opening the mouth in mockery. He sees this verse and the next as directly prophetic of Christ, pointing to the mocking Jesus endured at the cross.