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Psalms 137:5 · Bible study

Psalms 137:5 Commentary: Study: The Oath of Remembering Jerusalem

Hebrew · 10 what the commentators say

Meaning in one sentence

Discover the meaning of Psalm 137:5, where the psalmist swears by his right hand never to forget Jerusalem in exile.

Research Summary

  • Meaning: A solemn vow never to forget Jerusalem, enforced by a curse on the psalmist’s own musical skill.
  • Key words: Forget (H7911), Jerusalem, right hand (H3225), skill (implied in aposiopesis).
  • Main debate: Whether the curse is literal paralysis or a rhetorical intensification of loyalty; also whether ‘forget’ means failing to mourn or failing to pray.
  • Theological theme: The holiness of worship and the pain of exile; memory as an act of faith.
  • Best use: Teaching on lament, worship in suffering, and commitment to God’s people.

Translation Comparison

BSB Berean Standard Bible 2020

If I forget you, O Jerusalem, may my right hand cease to function.

WEB World English Bible 2000

If I forget you, Jerusalem, let my right hand forget its skill.

KJV King James Version 1769

If I forget thee, O Jerusalem, let my right hand forget her cunning.

ASV American Standard Version 1901

If I forget thee, O Jerusalem, Let my right hand forget her skill.

YLT Young's Literal Translation 1898

If I forget thee, O Jerusalem, my right hand forgetteth!

Darby Darby Bible 1890

If I forget thee, Jerusalem, let my right hand forget [its skill];

Douay-Rheims Douay-Rheims Bible 1899

And let them sing in the ways of the Lord: for great is the glory of the Lord.

Translations in other languages (10 available)
ES Reina-Valera 1909 1909

Si me olvidare de ti, oh Jerusalem, mi diestra sea olvidada.

PT Almeida Livre 1994

Se eu me esquecer de ti, ó Jerusalém, que minha mão direita se esqueça de sua habilidade .

FR Louis Segond 1910

Si je t’ oublie, Jérusalem,

DE Luther Bibel 1912 1912

Vergesse ich dein, Jerusalem, so werde ich meiner Rechten vergessen.

NL Statenvertaling 1637

Indien ik u vergeet, o Jeruzalem! zo vergete mijn rechterhand zichzelve!

IT Riveduta 1927

Se io ti dimentico, o Gerusalemme, dimentichi la mia destra le sue funzioni,

PL Biblia Gdańska 1632

Jeźliże cię zapomnę, o Jeruzalemie! niech zapomni sama siebie prawica moja.

RU Синодальный перевод 1876

и воспоют пути Господни, ибо велика слава Господня.

ZH 和合本 1919

耶路撒冷啊,我若 忘記你,情願我的右手 忘記技巧!

EN Bible in Basic English 1949

If I keep not your memory, O Jerusalem, let not my right hand keep the memory of its art.

Verse in Context

3 For there, those who led us captive asked us for songs. Those who tormented us demanded songs of joy: “Sing us one of the songs of Zion!”
4 How can we sing Yahweh’s song in a foreign land?
5 If I forget you, Jerusalem, let my right hand forget its skill.
6 Let my tongue stick to the roof of my mouth if I don’t remember you, if I don’t prefer Jerusalem above my chief joy.
7 Remember, Yahweh, against the children of Edom in the day of Jerusalem, who said, “Raze it! Raze it even to its foundation!”

Original Language (Biblical Hebrew)

אִֽם\־ 'im- HTc H0518 if
אֶשְׁכָּחֵ֥/ךְ 'esh.ka.Che/kh HVqi1cs/Sp2fs H7911 I will forget/ you
יְֽרוּשָׁלִָ֗ם ye.ru.sha.Lim HNpl H3389 O Jerusalem
תִּשְׁכַּ֥ח tish.Kach HVqi3fs H7911 may it forget
יְמִינִֽ/י\׃ ye.mi.N/i HNcfsc/Sp1bs H3225 right [hand]/ my

Source: STEPBible TAGNT/TEHB (CC-BY 4.0). Click or tap a morphology code to see the full parsing.

Scholars' Consensus

Commentators across traditions agree that this verse is a solemn oath of loyalty to Jerusalem spoken by Jewish exiles in Babylon. Barnes explains that singing the Lord’s song for mocking captives would imply they had forgotten the ruins of their city. Clarke adds that to sing would be “a tacit acknowledgment that we were reconciled to our bondage” and a profaning of holy ordinances. The curse on the right hand, the hand used to play the harp, is a self-imprecation: if the vow is broken, may the psalmist lose his musical skill. Jamieson-Fausset-Brown observe that joyful songs would “imply forgetfulness of their desolated homes.” The Cambridge Bible notes the aposiopesis, the sentence breaks off, leaving the exact punishment implied. The oath binds the speaker to remember Jerusalem even when pressured to perform.

How settled is the interpretation?

Interpretive difficulty: Medium

Main views:

  1. Literal physical curse: The hand withers or loses function; supported by Gill citing Arabic usage of the root.
  2. Loss of skill: The hand ‘forgets’ how to play the harp; this is the rendering of most English versions.
  3. Passive reading: The right hand is forgotten by God; found in LXX and Jerome (Cambridge Bible).

What is clear: The psalmist vows never to forget Jerusalem, and invokes a severe consequence upon himself if he does.

What Scholars Agree and Debate

TopicAgreedDebated
Meaning of 'forget'Commentators agree it refers to acting as if Jerusalem’s destruction no longer mattered.Some (Clarke, Barnes) emphasize forgetting the calamity, while Gill includes forgetting to pray for restoration or gather for worship.
The curse on the right handAll see it as a self-imprecation connected to playing the harp.Some read it as 'let my right hand wither' (Gill cites Arabic tradition); others as 'let it forget its skill' (most English versions). The Cambridge Bible notes LXX reads passive: 'let my right hand be forgotten'.
Speaker of the verseIt is spoken by an individual exile, possibly a Levite or musician.Gill notes Jewish interpreters differ: Aben Ezra and Kimchi say Levites; Jarchi says the congregation; Targum says the Spirit of God speaks.
Ongoing relevanceThis verse models faithful memory in hard times.Some traditions apply it to the Church as spiritual exile; others keep it specific to Israel and Jerusalem.

Historical & Cultural Context

The setting of Psalm 137 is the Babylonian exile, likely the period between 586 and 538 BCE. The exiles sat “by the rivers of Babylon”, not just the Euphrates, but also the Chebar and Ulai, where Ezekiel and Daniel received visions. These rivers offered solitude, a place to weep openly away from captors. They hung their harps on willows (or viburnum trees), symbolic of a grief so deep that music became impossible.

The captors taunted them: “Sing us one of the songs of Zion!” For the exiles, singing the Lord’s song as entertainment would trivialize worship and deny the devastation of Jerusalem. Calvin says the psalmist speaks “in the name of the Church at large,” expressing both grief and defiance. Keil and Delitzsch describe the scene: “The boundary line of the river gives to solitude a safe back; the monotonous splashing of the waves keeps up the dull, melancholy alternation of thoughts.” In that heavy silence, verse 5 rises as a personal vow, a refusal to treat the holy lightly.

Textual Notes

The supplied sources note that the Septuagint and Jerome’s Latin Vulgate read the verb as passive: “let my right hand be forgotten.” The Cambridge Bible observes that the Great Bible of 1540 completes the aposiopesis (the abrupt break in the sentence) with “her cunning,” which most English versions follow. No other significant manuscript variants appear in the commentary sources consulted.

Reception History

This verse has been used liturgically in Jewish mourning for Jerusalem, especially on Tisha B’Av. Christian commentators from Calvin onward have read it as a model of faithfulness in a hostile world. Barnes compares the psalmist’s oath to Cranmer, who held the hand that signed his recantation into the fire. Across traditions, the verse has inspired hymns and poems that treat memory of God’s city as an act of hope in exile.

Preaching This Verse

Three-point outline

  1. Forgetting is unfaithfulness. The psalmist equates forgetfulness of Jerusalem with disloyalty to God. To sing as if nothing had happened would deny the reality of sin’s consequences and God’s judgment.
  2. The right hand as symbol of skill and identity. The hand that struck the harp represented the psalmist’s calling, livelihood, and joy. Losing its ability would mean losing himself. The curse is not abstract, it touches everything he is.
  3. The vow as an act of worship in exile. Refusing to sing is not silence; it is a declaration that some things are too sacred for casual performance. Remembering Jerusalem becomes an act of hope for restoration.

Five-point outline

  1. The context: exiles weep by rivers while captors demand entertainment.
  2. The refusal: they cannot sing the Lord’s song in a foreign land without betraying their grief.
  3. The vow: “If I forget you, Jerusalem…”, a self-curse written into the body.
  4. The cost: the right hand must forget its skill; the tongue must stick to the roof of the mouth.
  5. The hope: remembering Jerusalem means trusting that God has not forgotten His people (see Psalm 102:13).

Illustration hooks

  • A professional musician loses a loved one and cannot bring herself to play at a holiday concert. The instrument feels like a betrayal of her grief.
  • A person ties a string around a finger to recall a promise, the string itself is a small penalty for forgetting.
  • A worker refuses to say something cheerful at work when her heart is breaking over a family crisis. She knows a fake smile would dishonour the real pain.

Questions your congregation is asking

  • Is it wrong to feel happy when I am still hurting inside?
  • What does it mean to “forget Jerusalem” in my own life, what sacred things am I tempted to treat lightly?
  • Why does the psalmist seem so angry? (This verse sets up the imprecations that follow in verses 7, 9.)

Leading a Discussion

Psalm 137:5 catches a moment when grief and loyalty meet. The exiles have been taunted to perform, and one of them answers with a vow so serious it risks his very ability to play music. This passage invites us to examine what we hold too sacred to treat lightly.

Discussion questions

  1. Read Psalm 137:1, 4. What emotions does the psalmist describe, and why?
  2. In verse 5, what does the psalmist promise not to do? What does “forget” mean in this context, more than just failing to recall a fact?
  3. Why does he mention his right hand specifically? What did the right hand do for him?
  4. Verse 6 adds the tongue. How do these body parts show the cost of faithfulness?
  5. Have you ever felt pressure to pretend everything is fine when it was not? How did that feel?
  6. What are some “songs of Zion” we are asked to sing casually today, things of God treated as entertainment?
  7. How can we create space for honest grief and holy memory in our community?

What the Commentators Say

9 public-domain commentaries, condensed into plain language.

Adam Clarke's Commentary Methodist/Wesleyan 1826

Clarke stresses that forgetting Jerusalem would mean accepting their captivity and profaning holy things for sport. He sees the vow as a pledge to lose all skill in playing the harp rather than ever use sacred music to entertain the ungodly or the enemies of God.

Barnes' Notes on the Bible Protestant 1832

Barnes stresses that singing in exile would have implied forgetting Jerusalem's suffering, as if the captives had grown indifferent to its ruin. He compares it to making merry while a loved one lies dying or during war and pestilence. Such joy felt untimely and incongruous with their desolation.

Calvin's Commentaries Reformed 1564

Calvin corrects a common assumption: David did not write this Psalm as a prophecy of future captivity. Instead, the language describes the exile as an actual, present experience, not a distant event foretold in advance.

Cambridge Bible for Schools and Colleges Anglican 1880

This commentary highlights the dramatic power of the exiles' oath through a rhetorical device called aposiopesis, an abrupt break in speech. The Great Bible of 1540 completes this break effectively with "forget her cunning," whereas the Septuagint and Jerome's passive reading, "Let my right hand be forgotten," loses the force of the protest.

Geneva Bible Notes Reformed 1599

The Geneva Notes read this as a self-imprecation: if the psalmist ever forgets Jerusalem, may his right hand lose its skill at playing the harp. The curse directly targets his identity as a musician, making the loss of musical ability the penalty for disloyalty.

Gill's Exposition of the Bible Baptist 1748

Gill points out that Jewish interpreters disagree on who speaks these words — the Levites, the whole congregation, or the psalmist. He then expands the meaning of forgetting Jerusalem beyond literal memory to include failing to mourn over the church's troubles or neglecting prayer for her peace and worship.

Jamieson-Fausset-Brown Commentary Protestant 1871

5, 6. For joyful songs would imply forgetfulness of their desolated homes and fallen Church. The solemn imprecations on the hand and tongue, if thus forgetful, relate to the cunning or skill in playing, and the power of singing.

Lange's Commentary Reformed 1857

Lange insists the psalm records a genuine, personal experience of exile, not a later literary device. He rejects theories that connect it to the Second Temple dedication or the Maccabean era. For him, the tears and the suspended harps are the actual grief of captives, and the fierce imprecations flow from that living memory.

Matthew Henry's Commentary Reformed/Presbyterian 1710

Henry notes that the captives were deliberately settled by the rivers of Babylon, a place chosen for melancholy solitude or to keep them working in galleys. Their sitting there was not restless but a resigned acceptance of God's will. This exile, he observes, was a new house of bondage for Israel.

Word Study

The key original-language words in this verse. Select any word for its full lexicon entry — meaning, every occurrence in Scripture, and related words.

Cross-References

Source: Treasury of Scripture Knowledge (TSK, public domain)

Nehemiah 1:2 Hanani, one of my brothers, came, he and certain men out of Judah; and I asked them about the Jews who had escaped, who were left of the captivity, and concerning Jerusalem.
Nehemiah 1:4 When I heard these words, I sat down and wept, and mourned several days; and I fasted and prayed before the God of heaven,
Nehemiah 2:2 The king said to me, “Why is your face sad, since you are not sick? This is nothing else but sorrow of heart.” Then I was very much afraid.
Nehemiah 2:3 I said to the king, “Let the king live forever! Why shouldn’t my face be sad, when the city, the place of my fathers’ tombs, lies waste, and its gates have been consumed with fire?”
Psalms 84:1 For the Chief Musician. On an instrument of Gath. A Psalm by the sons of Korah. How lovely are your dwellings, Yahweh of Armies!
Psalms 84:2 My soul longs, and even faints for the courts of Yahweh. My heart and my flesh cry out for the living God.
Psalms 84:10 For a day in your courts is better than a thousand. I would rather be a doorkeeper in the house of my God, than to dwell in the tents of wickedness.
Psalms 102:13 You will arise and have mercy on Zion, for it is time to have pity on her. Yes, the set time has come.

Interlinear and lexical data from STEPBible (CC BY 4.0). Cross-reference data from OpenBible.info (CC BY 4.0). Commentaries are public domain.

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