Acts 17:23 · Bible study
Acts 17:23 Commentary: From Unknown God to True God
Greek · 11 what the commentators say
Meaning in one sentence
A study of Acts 17:23: how Paul used the altar to an unknown God to bridge Athenian culture and announce the true, knowable God.
Research Summary
- Meaning: Paul uses a real altar in Athens to declare the identity of the unknown God as the Creator and Lord who is now known in Christ.
- Key words: Διερχόμενος (passing through), ἀναθεωρῶν (beholding), σεβάσματα (objects of worship), βωμός (heathen altar), ἀγνώστῳ θεῷ (to an unknown God), καταγγέλλω (I proclaim).
- Main debate: Whether the original inscription was plural (gods) and Paul changed it, or singular as quoted; commentators like Calvin and Clarke reject the idea of Paul altering it.
- Theological theme: God’s general revelation provides a point of contact for evangelism, but specific revelation (the gospel) is needed to bring people into true worship.
- Best use: A model for contextual, respectful evangelism that meets people within their own cultural and religious frameworks.
Translation Comparison
BSB Berean Standard Bible 2020
For as I walked around and examined your objects of worship, I even found an altar with this inscription: TO AN UNKNOWN GOD. Therefore what you worship as something unknown, I now proclaim to you.
WEB World English Bible 2000
For as I passed along and observed the objects of your worship, I also found an altar with this inscription: ‘TO AN UNKNOWN GOD.’ What therefore you worship in ignorance, I announce to you.
KJV King James Version 1769
For as I passed by, and beheld your devotions, I found an altar with this inscription, TO THE UNKNOWN GOD. Whom therefore ye ignorantly worship, him declare I unto you.
ASV American Standard Version 1901
For as I passed along, and observed the objects of your worship, I found also an altar with this inscription, TO AN UNKNOWN GOD. What therefore ye worship in ignorance, this I set forth unto you.
YLT Young's Literal Translation 1898
for passing through and contemplating your objects of worship, I found also an erection on which had been inscribed: To God--unknown; whom, therefore--not knowing--ye do worship, this One I announce to you.
Darby Darby Bible 1890
for, passing through and beholding your shrines, I found also an altar on which was inscribed, To the unknown God. Whom therefore ye reverence, not knowing [him], him I announce to you.
Douay-Rheims Douay-Rheims Bible 1899
For passing by and seeing your idols, I found an altar also, on which was written: To the Unknown God. What therefore you worship without knowing it, that I preach to you:
Translations in other languages (10 available)
Porque pasando y mirando vuestros santuarios, hallé también un altar en el cual estaba esta inscripción: AL DIOS NO CONOCIDO. Aquél pues, que vosotros honráis sin conocerle, á éste os anuncio yo.
Porque enquanto eu passava pela cidade e via vossos santuários, achei também um altar, em que estava escrito: AO DEUS DESCONHECIDO. Este a quem vós prestais devoção sem conhecer, este é o que eu vos anuncio;
Car, en parcourant votre ville et en considérant les objets de votre dévotion, j’ ai même découvert un autel avec cette inscription: A un dieu inconnu! Ce que vous révérez sans le connaître, c’ est ce que je vous annonce.
Ich bin herdurchgegangen und habe gesehen eure Gottesdienste und fand einen Altar, darauf war geschrieben: Dem unbekannten Gott. Nun verkündige ich euch denselben, dem ihr unwissend Gottesdienst tut.
Want de stad doorgaande, en aanschouwende uw heiligdommen, heb ik ook een altaar gevonden, op hetwelk een opschrift stond: DEN ONBEKENDEN GOD. Dezen dan, Dien gij niet kennende dient, verkondig ik ulieden.
Poiché, passando, e considerando gli oggetti del vostro culto, ho trovato anche un altare sul quale era scritto: Al dio sconosciuto. Ciò dunque che voi adorate senza conoscerlo, io ve l’annunzio.
Albowiem przechadzając się i przypatrując waszym nabożeństwom, znalazłem też ołtarz, na którym napisano: Nieznajomemu Bogu. Którego tedy nie znając chwalicie, tego ja wam opowiadam.
Ибо, проходя и осматривая ваши святыни, я нашел и жертвенник, на котором написано "неведомому Богу". Сего-то, Которого вы, не зная, чтите, я проповедую вам.
我遊行的時候, 觀看 你們 所敬拜的, 遇見 一座壇,上面 寫著『未識 之神』。 你們所不認識 而敬拜 的,我 現在 告訴 你們。
For when I came by, I was looking at the things to which you give worship, and I saw an altar with this writing on it, TO THE GOD OF WHOM THERE IS NO KNOWLEDGE. Now, what you, without knowledge, give worship to, I make clear to you.
Verse in Context
Original Language (Koine Greek)
New Testament · Koine Greek · Acts 17:23
Source: STEPBible TAGNT/TEHB (CC-BY 4.0). Click or tap a morphology code to see the full parsing.
Scholars' Consensus
Commentators agree the altar was a real feature in Athens, supported by writers like Pausanias and Lucian (Barnes). Paul did not invent it; he used it as a point of contact. The inscription lacks the article in Greek (ἀγνώστῳ θεῷ), so it reads “to an unknown God”, not the unknown God, but a deity they could not name (Vincent, Cambridge Bible). This suggests the Athenians feared neglecting some god in their worship (Vincent). Paul acknowledges their religious devotion (v.22) but redirects them: the God they grope for is not far away (v.27). He does not condemn their search; he fills in the missing knowledge. Calvin argues Paul did not fraudulently change a plural inscription to singular; the altar itself bore this text, and Paul used it honestly. The core consensus: Paul took a genuine cultural artifact and turned it into a bridge to the true God, whom he presents as Creator, Lord, and the One who commands repentance (Acts 17:30).
How settled is the interpretation?
Interpretive difficulty: Low
What is clear: Paul used a real Athenian altar inscribed to an unknown God as the starting point for his proclamation of the true God, the Creator and Lord who is now made known in Jesus Christ.
What Scholars Agree and Debate
| Topic | Agreed | Debated |
|---|---|---|
| Existence of the altar | All agree Paul saw a real altar in Athens with such an inscription; it is attested by other ancient sources (Pausanias, Lucian). | Whether the original inscription was singular (as Paul quotes) or plural (as Jerome claimed). Most commentators side with Paul's accurate quotation. |
| Paul's approach as normative | Christians agree this passage models engaging respectfully with non-Christian culture. | Some argue this is a universal principle for contextual evangelism; others see it as a specially inspired strategy for an educated Greek audience, not always repeatable. |
| Meaning of 'unknown God' | It refers to a deity the Athenians did not know by name, but Paul identifies him as the true God. | A minority view (Gill) suggests it may have originally referred to the God of the Jews; most think it was a generic fearful accommodation. |
Historical & Cultural Context
Athens in Paul’s day was the intellectual capital of the Roman world, a city thick with temples, altars, and statues. Paul walked through the city (διερχόμενος, “passing through”) and carefully observed (ἀναθεωρῶν, “fully observe”, Vincent, Cambridge Bible) the objects of worship (σεβάσματα, meaning sacred objects, altars, images, not the act of devotion, Barnes, Vincent). One altar caught his eye: a βωμός (bōmos), a word used in the New Testament only for a heathen altar; the legitimate altar of God is called θυσιαστήριον (Vincent). This distinction reinforces that Paul stood on foreign religious ground.
That the Athenians erected altars “to an unknown god” (or “to unknown gods”) is historically attested. Pausanias mentions “altars to gods styled unknown” at Athens; Philostratus notes “altars for unknown gods” there; Lucian swears “by the unknown God at Athens” (Barnes, Cambridge Bible). The practice likely arose from religious caution: the Athenians wanted to cover any deity they might have overlooked, avoiding divine anger by dedicating altars to any god still unacknowledged. Some interpreters (Gill) suggest this altar may even have been meant for the God of Israel, whose name was not pronounced.
Paul stood before the Areopagus, the council that heard new teachings (v.19). The setting was both scholarly and sceptical. By seizing on the altar, Paul showed deep knowledge of their culture and then used it to announce the God who made the world and everything in it (v.24), contrasting sharply with the human-made temples and altars around them. This historical context reveals Paul’s method: he did not begin by quoting Scripture; he began from something the Athenians themselves had built.
Textual Notes
The consulted sources note no significant textual variants for Acts 17:23. The Greek text is stable across the major manuscript traditions. The only discussion concerns the wording of the altar inscription (singular vs. plural), which is a matter of historical background, not manuscript variation.
Reception History
From the early church onward, Acts 17:23 has been read as a model for evangelism among those outside the biblical tradition. Jerome raised the question of whether Paul adjusted a plural inscription to suit his argument, a claim rejected by Calvin and Clarke as inconsistent with Paul’s integrity. Wesley speculated the altar was set up by Socrates as a covert way to honour the true God. Later commentators like Gill and Matthew Henry saw the altar as evidence of humanity’s innate longing for God, even in paganism. In modern mission studies, this verse is regularly cited as a paradigm for contextualisation: honour the seeker’s culture while correcting their ignorance. Catholic, Orthodox, and Protestant traditions have all appealed to it when discussing natural theology and the point of contact between general and special revelation.
Preaching This Verse
Three-point outline
- Observation with respect. Paul walked the city, looked carefully, and saw what the Athenians valued. He did not mock their devotions; he studied them.
- Connection through common ground. Paul used the “unknown God” inscription as a shared starting point. He affirmed their religious impulse but prepared to correct its direction.
- Proclamation with clarity. He did not stay on the altar; he moved to the God who made the world, who cannot be contained in temples, and who commands repentance.
Five-point outline
- Walk: Paul moves through the city, engaged, not isolated.
- Observe: He notes the objects of worship without prejudice.
- Find: He spots the altar to an unknown God.
- Connect: He uses the inscription as a text for his sermon.
- Announce: He formally declares (καταγγέλλω, a public proclamation) the true identity of that unknown God.
Illustration hooks
- A friend who says “I’m spiritual but not religious” and prays to “the universe”, how do you find the altar in their life?
- Walking through a shopping district filled with “wellness” products, crystals, and self-help books, what equivalent do we see of people trying to cover all spiritual bases?
- The question “If there is a God, why is there suffering?”, people often already acknowledge an unknown higher power; the challenge is to put a face and name on it.
Questions your congregation is asking
- When I talk to someone of a different faith, do I need to start by correcting them, or can I find a starting point we both accept?
- How do I announce the true God without sounding arrogant or dismissive of others’ experiences?
- What do I do when the other person’s “unknown god” is a vague concept, not a personal being?
Leading a Discussion
In this passage Paul shows us what it looks like to meet people where they are. He does not begin by condemning Athenian religion. Instead, he uses their own altar to start a conversation about the living God. This small group discussion will help you think about how to do similar bridge-building in your own context.
Discussion questions
- What do you notice about Paul’s attitude as he walked through Athens? Look at the words “passing through” and “beholding” (ἀναθεωρῶν). What does this tell you about his posture?
- Why do you think Paul chose to mention the altar to an unknown God specifically? How did this help his argument?
- Paul says the Athenians worship “in ignorance” (ἀγνοέω). In what ways do people today worship God without knowing him?
- How does Paul’s approach in Acts 17:23 differ from his approach in a synagogue, where he would start from the Scriptures? What does this teach about adapting to different audiences?
- What are the “altars” in our own culture that might point people toward God even if they don’t know it yet? Think of phrases, longings, or questions people use.
- Paul eventually gets to the cross and resurrection (v.31). How long can you stay on common ground before you need to announce the specific news of Jesus?
- What is one step you can take this week to better understand the beliefs of someone you know, before you try to share your own faith?
Word Study
The key original-language words in this verse. Select any word for its full lexicon entry — meaning, every occurrence in Scripture, and related words.
Cross-References
Source: Treasury of Scripture Knowledge (TSK, public domain)
| Psalms 50:21 | You have done these things, and I kept silent. You thought that I was just like you. I will rebuke you, and accuse you in front of your eyes. |
| Psalms 147:20 | He has not done this for just any nation. They don’t know his ordinances. Praise Yah! |
| Matthew 15:9 | And they worship me in vain, teaching as doctrine rules made by men.’” |
| John 4:22 | You worship that which you don’t know. We worship that which we know; for salvation is from the Jews. |
| John 8:54 | Jesus answered, “If I glorify myself, my glory is nothing. It is my Father who glorifies me, of whom you say that he is our God. |
| John 17:3 | This is eternal life, that they should know you, the only true God, and him whom you sent, Jesus Christ. |
| John 17:25 | Righteous Father, the world hasn’t known you, but I knew you; and these knew that you sent me. |
| Acts 17:30 | The times of ignorance therefore God overlooked. But now he commands that all people everywhere should repent, |
Interlinear and lexical data from STEPBible (CC BY 4.0). Cross-reference data from OpenBible.info (CC BY 4.0). Commentaries are public domain.
For personal reflection
Read the devotional page — prayer, application, and "for families"
What the Commentators Say
9 public-domain commentaries, condensed into plain language.
Adam Clarke's Commentary Methodist/Wesleyan 1826
Clarke strongly defends Paul's accuracy in quoting the Athenians' altar to the Unknown God, rejecting Jerome's claim that Paul changed a plural inscription to fit his argument. He cites Lucian and other ancient writers as proof that such an altar existed, and suggests the inscription may have originally been longer.
Barnes' Notes on the Bible Protestant 1832
Barnes draws attention to Paul's skillful use of the altar to the unknown God, noting that the Athenians had admitted their ignorance by erecting it. Paul does not rebuke them but takes that very confession as his starting point to make known the true God they already dimly worshipped.
Calvin's Commentaries Reformed 1564
Calvin rejects Jerome's idea that Paul used holy cunning by applying the altar's plural inscription to a single God. He insists Paul spoke plainly, declaring the Athenian altar itself pointed to the true God they did not know. The deeper point: no worship is acceptable unless God is first truly known.
Cambridge Bible for Schools and Colleges Anglican 1880
The commentator stresses that Paul's phrase should read "What you worship in ignorance" rather than "Whom you ignorantly worship." The neuter relative pronoun shifts the emphasis: Paul does not criticise their worship as ignorant but acknowledges their ignorance itself, which he then offers to dispel by declaring the true God.
Geneva Bible Notes Reformed 1599
For as I passed by, and behelde your deuotions, I founde an altar wherein was written, VNTO THE VNKNOWEN GOD. Whom ye then ignorantly worship, him shewe I vnto you.
Gill's Exposition of the Bible Baptist 1748
Gill identifies the "unknown god" as the God of Israel, whom the Athenians included out of fear they might overlook any deity. He stresses that natural knowledge cannot truly reveal God's nature or persons, so worship based on such light alone is ignorant. That is why a full declaration of God became necessary through revelation.
Jamieson-Fausset-Brown Commentary Protestant 1871
JFB highlights how Paul seizes on the altar to an unknown god as evidence of the Athenians' religious confusion, using it as a text for his sermon. Paul does not offer philosophical speculation like Greek thinkers but makes an authoritative announcement of the living God they are groping toward, without even naming Christ at first.
Lange's Commentary Reformed 1857
Lange highlights that Paul's spirit burned with moral indignation, not aesthetic admiration, when he saw Athens full of idols. Christianity's first encounter with classical art and philosophy was a confrontation: Paul judged the noble works of art for their spiritual deception rather than their beauty, and he refused to accommodate the Gospel to Epicurean or Stoic thinking.
Wesley's Explanatory Notes Methodist/Wesleyan 1754
Wesley suggests the altar might have been set up by Socrates, covertly honoring the one true God while mocking pagan idols, or by someone else honoring the God of Israel. Either way, Paul fixes the philosophers' wandering attention by proclaiming to them that same unknown God.